Best
Actress
1. Jennifer
Lawrence (Silver Linings Playbook)
2. Quvenzhané
Wallis (Beasts of the Southern Wild)
3. Marion
Cotillard (Rust & Bone)
4. Naomi Watts (The
Impossible)
5. Helen
Mirren (Hitchcock)
Alternative: Mary Elizabeth
Winstead (Smashed)
Jennifer Lawrence is the biggest addition to this
category after the Toronto festival gave her film a major boost. Some pundits
have already chalked her up as the winner, which sounds a bit premature
to me, but hey, it’s not like anybody else here looks like they can take the
gold man home. Mary Elizabeth Winstead’s film was well-received at Sundance but
she didn’t exactly look like a nominee until it became clear that the fall
festival trifecta was not going to give us any new contenders other than
Lawrence, so now she’s back in the race. I wonder if Smashed is going to
be big enough to get her major notices though. She’ll surely be the film’s
only nomination, so having not seen the film yet, I wonder if her performance
is strong enough to make that happen. On the other hand, I don’t see the Academy
nominating two French-speaking performances in the same year either, so Emmanuelle Riva’s going
to have a really tough battle. Is she going to campaign for it? If not her or
Winstead, then who? Keira Knightley (Anna Karenina) is the most obvious
answer, but for now, I’m guessing the divisive reaction to her film will leave
her out, which will leave us with Helen Mirren, who’s just recently been added
to the race with Hitchcock.
Best Actor
1. Joaquin
Phoenix (The Master)
2. John Hawkes (The
Sessions)
3. Daniel
Day-Lewis (Lincoln)
4. Denzel
Washington (Flight)
5. Anthony
Hopkins (Hitchcock)
Alternative:
Jean-Louis Trintignant (Amour)
Joaquin Phoenix gives the best performance of his
career and he’s got the nomination all locked up. I’m fairly confident there’s
nothing standing in Hawkes’ way either. He’s well-liked in the industry and he’s
playing an incredibly baity role masterfully. Fox Searchlight’s insistence on
releasing Hitchcock this year tells me they’ve seen something truly
special in it and it may well be Hopkins’ performance as the Master of
Suspense.
Could I be underestimating Hugh Jackman’s chances
for Les Misérables though? We all know how well he can sing and that’s as good
a role as they come. Or what about Bradley Cooper? If everybody around him is
getting attention for the film and he’s good in it, why not?
Best
Supporting Actress
1. Anne Hathaway
(Les Misérables)
2. Amy Adams (The
Master)
3. Helen Hunt (The
Sessions)
4. Maggie Smith (The
Best Exotic Marigold Hotel)
5. Sally Field (Lincoln)
Alternative:
Samantha Barks (Les Misérables)
This category is just... boring this year. I’m
looking forward to Hathaway’s performance but I’m also worried that it might
not live up to the hype. If that happens to be the case, who can take this
category? Amy Adams is certainly primed for a win after several nominations.
She’s in an acclaimed film and although her performance is not as revelatory as
her co-stars, she’s dependably great. Then there’s Helen Hunt, who’s really
strong in her film, but can’t hold a candle to any of the winners from the past
decade. Could Barks surprise us all?
I know it’s way too early to be talking about the
win, but this category is so lacklustre it leaves nothing to discuss.
Best
Supporting Actor
1. Phillip
Seymour Hoffman (The Master)
2. Robert De Niro
(Silver Linings Playbook)
3. Alan Arkin (Argo)
4. Matthew
McConnaughey (Magic Mike)
5. Russell Crowe
(Les Misérables)
Alternative:
Michael Pena (End of Watch)
Phillip Seymour Hoffman is without a doubt a
co-lead in The Master. I think if Weinstein decides to campaign both actors as
leads, we’ll be looking at our first double nominees in that category since Amadeus.
There’s no way either of these two performances will be left out. If Hoffman is
campaigned here, though, I can’t see anyone else winning. Again, too
early to talk about wins when the nominations are still a few months away, but
really, the performance is that strong.
Robert De Niro is getting the best reviews he’s
had in about two decades, so he’s likely to factor in the race. Alan Arkin
seems to be the one supporting actor from Argo who’s on everyone’s lips. I’d
imagined it’d be Bryan Cranston but that doesn’t seem to be the case. The big
question for me is whether the ecstatic reviews for End of Watch will force the
distributor to campaign for Gyllenhaal and Pena.




Oh these are solid picks through and through. I really hope they push Phoenix for lead and Hoffman for supporting, that's the way it should be.
ReplyDeleteAgain, not sure about Quvenzhané Wallis. She was recently declared ineligible for a SAG nom, so that doesn't help her chances at all. Such a shame, she was perfect.
Thanks Alex.
DeleteI updated these before the SAG news came out, but still I wonder if it won't turn out to be like ineligible screenplays for WGA, where the Academy ignores the guilds voting. It could certainly hurt, given the small scale of the film, but who knows.
As for Hoffman though, I'm curious why you think he's supporting. I really think they're playing it off each other and their characters are equally important in the narrative's progression. Think about it this way, if Phoenix was a woman, would Hoffman become the male lead or would he still be supporting?
Just tweeted you back. I should've elaborated. They are both definitely lead performances, no question. My comment reads wrong on that point.
DeleteWhat I meant was that the Academy is, by and large, nonsense, so for either Phoenix and/or Hoffman to have a shot, they need to NOT run against one another. It worked out for Abraham in Amadeus, but that was a long time ago. Very different Academy now, you know?
Gotcha. Yeah, politically speaking, I think Weinstein will side that way. But if there's ever been a film since Thelma and Louise that deserves the double lead noms, it's this one. And I can't pick a favourite either. Both are equally strong in my opinion.
DeleteYup, completely agree. My immediate reaction is to hail Phoenix as the better of the two, but then I remember PSH bitching that would-be detractor out at the party. Too close to pick one over the other. If they ARE in the same acting category, that'll be a damn hard choice to make.
DeleteI'm going for Zoe Kazan for Best Actress but that's never going to happen. Also, I'm on Team PSH too. There's something I love about consistence stoicity that he conveys. Joaquin proves himself eventually but it's not an instantaneous connection with him.
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