I had the first episode of my new series on Iranian cinema all edited and ready to post, but it feels strange to write about Iranian cinema and yet ignore the biggest news of the day. The Iranian government has decided to boycott the Oscars in protest to the release of Innocence of Muslims.
It’s a painful moment, to be honest, particularly because it was announced that Reza Mirkarimi’s A Cube of Sugar was going to be Iran’s representative in the category this year. It’s a gentle but thoughtful light comedy by one of the greatest directors of Iran’s new generation. I’ve always rooted for his success since his exquisite first feature, Under the Moonlight, and I’d have loved to see him take another stab at this. (Iran’s 2005 submission was Mirkarimi’s best work to date, So Close, So Far, which is criminally overlooked on the international scene.) This of course comes on the back of Iran’s first win for Asghar Farhadi’s A Separation, so Iran becomes one of only a handful of countries to not attempt to defend its statue. (Film Actually’s Shane pointed me to South Africa and Bosnia who didn’t submit films after Tsotsi and No Man’s Land, respectively. If you know of more examples let me know in the comments.)
|Reza Kianian in A Cube of Sugar|
As for A Cube of Sugar – which, by the way, stars my favourite Iranian actor of all time, Reza Kianian - well, it was not A Separation, but it had a decent shot, believe it or not. It’s exactly the type of film that older voters in this category welcome with open arms and it’s a heck of lot of better than some of the recent winners. But alas, I’ll have to wait another year.